Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
	About Us	90,680 paintings total now Toll Free: 1-877-240-4507

Alma Tadema.org, welcome & enjoy!

Prev 1 2 3

Here are all the paintings of Piero della Francesca 03

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
64877		the legend of the true cross, detail	the veneration of the cross se
64878		the legend of the true cross, detail	the death of adam se
64879		the legend of the true cross, detail	the death of adam se
64880		the legend of the true cross, detail	the death of adam se
64882		the legend of the true cross, detail	the death of adam se
64883		the legend of the true cross, detail	the death of adam se
64886		the legend of the true cross, detail	the adoration of the holy wood and the queen of sheba recceived by solomon se
64885		the legend of the true cross, detail	the adoration of the holy wood and the queen of sheba recceived by solomon se
64887		the legend of the true cross, detail	the adoration of the holy wood and the queen of sheba recceived by solomon se
64888		the legend of the true cross, detail	the adoration of the holy wood and the queen of sheba recceived by solomon se
64889		the legend of the true cross, detail	the queen of sheba recceived by solomon se
64890		the legend of the true cross, detail	the queen of sheba recceived by solomon se
64891		the legend of the true cross, detail	the queen of sheba recceived by solomon se
64892		the legend of the true cross, detail	the annunciation se
64894		the legend of the true cross, detail	the dream of constantine se
64896		the legend of the true cross, detail	the verification of the cross se
64897		the legend of the true cross, detail	the verification of the cross se
64898		the legend of the true cross, detail	constantine's victory over maxentius, details se
64899		the legend of the true cross, detail	constantine's victory over maxentius, details se
64900		the legend of the true cross, detail	constantine's victory over maxentius, details se
64901		the legend of the true cross, detail	constantine's victory over maxentius, details se
64902		the legend of the true cross, detail	constantine's victory over maxentius, details
64903		the legend of the true cross, detail	constantine's victory over maxentius, details se
64904		the legend of the true cross, detail	the victory of heraclius over chosroes, detail se
64905		the legend of the true cross, detail	constantine's victory over maxentius, details se
64906		the legend of the true cross, detail	constantine's victory over maxentius, details se
64907		the legend of the true cross, detail	constantine's victory over maxentius, details se
64908		the legend of the true cross, detail	constantine's victory over maxentius, details se
64910		the legend of the true cross, detail	constantine's victory over chosroes, details se
64911		the legend of the true cross, detail	constantine's victory over chosroes, details se
64912		the legend of the true cross, detail	constantine's victory over chosroes, details se
64914		the legend of the true cross, detail	the victory of heraclius over chosroes, details se
64915		the legend of the true cross, detail	the victory of heraclius over chosroes, details arezzo, san francesco se
64909		the madonna del pesce	constantine's victory over chosroes, details se
64982		the montefeltro altarpiece	details se
64983		the montefeltro altarpiece	details se
64984		the montefeltro altarpiece	details se
64985		the montefeltro altarpiece	details se
64919		the montefeltro altarpiece, details	milan, pinacoteca di brera se
64935		the montefeltro altarpiece, details	milan pinacoteca di brera se
64981		the montefeltro altarpiece, details	milan, pinacoteca di brera se
42861		The Nativity	mk170 1475-1480 Oil on poplar 124.4x122.6cm
32446		The Penance of St. Jerome	1450 Panel, 51 x 38 cm
1532		The Penance of St.Jerome	1450 Gemaldegalerie Dahlem, Berlin
64954		the resurrection	details se
64955		the resurrection	details se
33266		The Resurrection of Christ	mk83 c.1458
55951		The Resurrection of Christ	mk247 c.1463,fresco,88.675x78.75 in,225x200cm,pinacoteca civica,sansepolcro,ltaly
58847		The Resurrection.	The Resurrection.
64972		the triumph of battista sforza	se
64971		the triumph of federico da montefeltro	se
32475		Torture of the Jew	c. 1455 Fresco, 356 x 193 cm
91672		Virgin Annunciate	1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 54 cm (21.3 in). Width: 21 cm (8.3 in). cyf
58136		Wu Binuo Duke Feidailike reaches the Mongolian peaceful fil Trow portrait	mk261 Florence, Ukrainian Fiji art museum

Prev 1 2 3

Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.

All the Alma Tadema's Oil Paintings

Supported by oil paintings and picture frames